This is my Jesus roof. I stood for a long time to get this shot, knees bent and head tipped back, waiting for the clouds to transform the stained glass. They could not have been more obliging, magicking a puff of white mist from Jesus’s brow and spinning a trail from his right forefinger.
I must have looked awkward – desperate, even – because one of the workers tending a nearby tomb came and offered to open the door momentarily to give me an unobstructed view. So helpful of him, but I had to explain that without the door, there is no reflection. The clear glass is an essential element of my Recoleta Cemetery alchemy.
I was born in Montreal in 1967, grew up in England and live between London and Buenos Aires. Like many, I came to Buenos Aires to dance tango and fell under the spell of this city where strangers talk to you, tango music seeps on to the streets and the ornate crumbling buildings speak of grander times. I love writing and crafting words – I've worked as a sub-editor for more than 20 years – and taking photographs.
His face is radiating a beam of light.
You have no idea how contorted I was to get that effect!
Dearest Julie-Anne,
The wait and the pain in the neck was worth it! You have created a splendid new
‘take’ on the artisan’s work.
A magnificent play of light, colour, and image.
Barbara, thank you so much for your appreciative words. You entirely grasp what went into capturing this shot (and I wonder why my neck hurts!).